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* Tous les textes de cet événements sont en anglais seulement car l'événement a eu lieu en anglais à Toronto.

The YMA is pleased to present its Children, Youth & Media Conference, to be held in November 2025 in Toronto – a one-day event. Registration Ends two days before the event

The conference is an idea exchange, training and development forum for Canada’s youth screen-based media professionals. More than 200 delegates are expected to attend this unique event, featuring leading experts who will address programming trends and provide insights into young people’s needs and interests. The lineup includes themed workshops, talks, screenings, discussions and meetings with prestigious guests from Canada and abroad.

In conjunction with the amazing list of speakers, panelists and moderators at the conference, the 2026 YMA Andra Sheffer Scholarship winner will be announced, and finally the YMA Prix Jeunesse will be available online to showcase the 2025 Awards of Excellence material and the 2024 Prix Jeunesse International– Munich. 

The YMA AGM will happen one week before the Conference this year, and Board members elected.

Bienvenue à la conférence YMA Youtn Media 2025 !

Imagining the Media That Shapes Us
Imaginer les médias qui nous façonnent

Rejoignez-nous le 19 novembre 2025 aux studios Glenn Gould de la CBC à Toronto. Nous attendons des intervenants passionnants et plusieurs autres experts tout au long de la journée.

Les textes suivants sont en anglais puisque la conférence se déroulera en anglais

 

IMPORTANT DATES

Nov. 12 2025, 12:15 :the YMA AGM (online), happening one week earlier than the Conference !
Nov. 19 2025, 08:00 : Conférence

Aug. 22 2025, 7:00 : Registration opens
Nov. 17 2025, 23:00 : Registration closes

 

REGISTRATION FEES

Early registration until October 17, 2025. Rates may increase after this date.

Registration: $275 ($375 for non-members)

 

*Administration Fees: 5% extra.

Register Here - Today !

Lodging - Hotel

We have secured a block of rooms at the Residence Inn, 5 min. walk to the Glenn Gould Studios.

There is a large convention in the downtown Toronto area thus hotel rates are very high BUT we are please to have secured a better rate

You will find the information for the online reservation link below. 

Start Date: Tuesday, Nov 18, 2025

End Date: Thursday, Nov 20, 2025

Hotel(s) offering a special group rate:

  • Residence Inn Toronto Downtown/Entertainment District for $300 CAD per night - Last Day to Book : Nov 7th, 2025. After, the rate will be honored depending on availability

 

BOOK A ROOM 

 

Preliminary Program

Dowload 

 

PRELIMINARY SCHEDULE

8h00-8h45 : Registration and Continental Breakfast
8h30-8h45 : Opening Address
8h45-9h45 : Conference #1 - Because It’s 2025! - AI​
Panelists: Justin Cathcart- Dark Slope, Caitlin Fisher - York University, Isabelle Favreau - difuze
Moderator: Steve Couture

​​​​​​9h45-10h00 : Break

10h00-11h00: Conference #2 - The ABCs of Gen Alpha and Beta - Getting to know the audience
Speaker: Kim Wilson, TMU Children Lab


11h00-12h00 : Conference #3 - YouTube & Discoverability: Tools, Trends, and Tactics to Grow Your Audience
Speakers: Stephanie Wilson Chapin – YouTube Canada, Mac Malik - YouTube Youth (USA)

12h00 -13h00 Lunch

13h00 - 13h30 : Keynote Speakers: Changing Fortunes, Creative Futures — PBS on Co-Productions, Funding Cuts, and Where They Go From Here
Speakers: Adriano Schmid, PBS Kids. Interviewer: J.J. Johnson, Sinking Ship Entertainment

13h30-14h30 : Conference #4 - Beyond Broadcast: Building Big Audiences for Every Screen - YouTube applied
Panelists: Terence Mbulaheni - VIEWED, Phil McCordic -  Windy Isle Entertainment, David Elmaleh - 787creative, more to come
Moderator: Athena Georgaklis – YMA Co-President- Independent Producer

14h30-15h30 : Conference #5 - The Importance of Trust in Indigenous Productions: Demystifying Narrative Sovereignty
Panelists: Monika Ille – APTN, Julian Black Antelope – Herd of 1 Media, Lance Cardinal –  Indigenous Art Adventures, Nadia Mike - Umik Media, Moderator: Adam Garnet Jones – APTN

15h30-15h45 : Break

15h45-16h45 : Conference #6 International Co-Productions and Productions in films, series and others:  How to Partner for a Global Audience
Speaker: Mark Edwards – Edward Creative Law, Panelists: Lucie Meynia- Téléfilm Canada,
Marie-Claude Beauchamp –Carpediem Film & TV Inc. Movie : Butterfly Taleil, Ginette Petit - Outsiders Films Movie: Space Cadet. Moderator: Maria Kennedy – YMA Co-President - Little Engine Moving Pictures

16h45-17h15 : Closing Speaker: Guest - The energy is here!
Speaker: Tope Babalola – Content Creator, Author & Producer

17h15 - 17h30 -  Farewell to Our Youth Channels – What Comes Next?
Speakers: Athena Georgaklis, Maria Kennedy

17h30 - 19h00 : Networking Get-together  Celebration

AVIS DE CONVOCATION À L'AGA

L'Assemblée générale annuelle (AGA) de l'Alliance Médias Jeunesse se tiendra le 12 novembre 2025 de 12h15 à 13h15, en ligne, et sera ouverte aux membres uniquement. Le nombre de places en personne est limité. Veuillez-vous inscrire à l'avance pour obtenir le lien d'accès lors de votre inscription à la réunion. 

Consulter le Rapport d'activité annuel 2025 

 

S'INSCRIRE à l'AGA

SESSIONS

1. AI, Because It’s 2025!

Whether in live action or animation, it’s time to integrate tools into your next project plans. Virtual sets, artificial intelligence, real-time animation, and optimized creative pipelines will soon be essential. Don’t miss this exciting meeting point of creativity and innovation. The panelists collectively offer a deep, interdisciplinary view—from studio-level AI integration to academic frameworks, child-focused ethics, digital play, and immersive narrative development.

 

2. The ABCs of Gen Alpha and Beta - Getting to know your audience

What You Need to Know About the Kids of Today and Tomorrow Gen Alpha—and the just-arriving Gen Beta—are growing up in an era shaped by uncertainty, climate crisis, identity fluidity, digital saturation, and a rapidly shifting global landscape. What does this mean for the stories we tell—and how we tell them? In this keynote, Kim Wilson draws from her research at the Children’s Media Lab, real-world insights from user and focus testing conducted through OneFish TwoFish Consulting, and a thorough review of emerging Gen Alpha/Beta literature to offer a deep, nuanced portrait of today’s and tomorrow’s kids. Touching on themes like interests, identity, play, and platforms, this session offers a deep dive into the emotional needs, values, and creative expectations of today’s and tomorrow’s kids. With powerful quotes from kids themselves and actionable takeaways for content creators, it’s a future-focused session grounded in what young audiences truly want and need.

 

3.  YouTube & Discoverability: Tools, Trends, and Tactics to Grow Your Audience

Join Stephanie Wilson Bonin and Mac Malik from YouTube for an insightful session on how to maximize the visibility of educational and children’s content on the platform. This presentation will explore YouTube’s discoverability tools and analytics, with a focus on the YouTube Player for Education—an ad-free, curated environment designed to support learning. Gain practical tips and strategic insights to help your content reach and engage the right audiences

4.  Keynote Speaker: Changing Fortunes, Creative Futures — PBS KIDS on Co-Productions, Funding Cuts, and Where They Go From Here

As public funding declines, public broadcasters around the world are being forced to rethink how they bring children’s content to life. In this keynote, PBS KIDS will pull back the curtain: exploring what has been lost in recent funding cuts, how those shifts are reshaping their creative and financial models, and where co-productions—especially with Canadian partners—fit into the future. Expect concrete lessons from how PBS KIDS is navigating reduced government support, what types of collaborators and projects they’re seeking, and how international partnerships are transforming not just what gets made, but how it’s financed, produced, and distributed.

5. Beyond Broadcast: Building Big Audiences for Every Screen - YouTube and more

In today’s oversaturated digital landscape, reaching children and families requires more than just presence—it demands purpose, creativity, and strategic thinking. In this session, panelists will exchange ideas on how to successfully grow children’s content across platforms like YouTube, Roblox, and social media, even with modest budgets. A recurring question from our organizing committee—and one that will guide this discussion—is how to stand out without simply replicating what others have done. What truly connects with today’s children and families? The conversation will explore adapting IPs for digital-native audiences, building fan engagement, extending brands into interactive environments, and navigating monetization and compliance challenges. This session is for creators, producers, and media professionals seeking fresh, effective approaches to connecting with young audiences across every screen.

6. The Importance of Trust in Indigenous Productions: Demystifying Narrative Sovereignty

This panel explores Indigenous narrative sovereignty and the keys to respectful, equitable collaboration between Indigenous and non-Indigenous production companies. Panelists will discuss how trust, transparency, and active listening are essential to creating authentic stories led by Indigenous communities. Through real-world examples, the conversation will highlight the growth of Indigenous media in Canada, including APTN’s pivotal role over the past 25 years. The panel will also address current challenges, best practices, and future paths for culturally respectful audiovisual production. A must-attend for industry professionals seeking to build fair, lasting partnerships rooted in Indigenous narrative sovereignty.

7.   International Co-Productions and Productions in films, series and others:  How to Partner for a Global Audience
As U.S. protectionism and shifting incentives reshape Canada’s audiovisual landscape, international co-film, tv and media production is becoming an essential business model in the kids’ media industry. This panel brings together producers, and funding representatives to explore the co-pro opportunities and challenges, including: the benefits of the Canadian treaties’ framework, designing projects at co-development stage, key steps to building relationships with future international partners in films, series and other media productions. Focusing on both creative and financial dimensions, the discussion will also cover the vital role for co-productions and productions, that shape reception, attract funding, and enhance cultural exchange. Attendees will leave equipped with best practices and actionable insights, alongside strategies for leveraging support, and other key organizations to successfully develop and showcase international project

8.  The energy is there !

In closing, attend a motivational talk with writer-director Tope Babalola, a digital content creator with over 2 million followers across YouTube and TikTok. The Winnipeg-born Babalola is also a filmmaker and creative executive in Toronto, where he's developing a series of projects, including coming-of age young teen mystery series. From TikTok and Instagram to YouTube Shorts and emerging platforms, storytellers are redefining pacing, genre, and engagement for a young generation raised on quick hits and interactive content. So where does that leave more traditional programming? We’ll hear from a leader with insight into both the digital media world and the viewing habits of young consumers about how the visual storytelling landscape and episodic content has changed, as well as how the traditional industry can change with it while not losing sight of what makes traditional platforms unique and important.

9. Farewell to Our Youth Channels – What Comes Next?

For decades, Canadian channels like Family Channel and Family JR, TELETOON/TÉLÉTOON, VRAK, Télémagino (FR), TreeHouse, YOOPA, YTV, Wildbrain TV and others shaped childhood experiences and launched countless industry studios & careers. As many of these Canadian platforms have closed/are closing or shifting focus as viewing habits change., the industry must look ahead: where will young Canadian audiences discover content in a digital-first world? This session pays tribute to the legacy of the shuttered Canadian youth channels while opening a discussion on the future of children’s content distribution. Join us as the conversation continues at the cocktail networking hour immediately following.

KEYNOTE SPEAKERS

Keynote Speaker

A very special guest-speaker,

Adriano Schmid is Vice President of PBS KIDS Content, where he leads the network’s content library and multi-platform strategy.

With more than 20 years in children’s media across the Americas, he has led projects at PBS, Warner Bros. Discovery, and HBO Brazil. His expertise spans preschool storytelling, co-productions, and digital innovation. Schmid’s credits include Doki, Zu & Her Zoo, and Earth to Luna!, earning international acclaim and multiple Kids Emmy nominations.

Passionate about storytelling that reflects kids’ lives and the needs of children and families across the country, he believes media should spark imagination, empathy, and curiosity—helping children see themselves on screen while discovering the wider world.

Closing Speaker

Winnipeg-born
 Tope Babalola is one of the most exciting emerging voices in Canadian entertainment and has carved out a space for sharp, authentic storytelling that reflects underrepresented perspectives. A passionate advocate for diversity and inclusion, he brings both humour and heart to his work on screen and behind the scenes. A dynamic presence on TikTok, Tope is a prolific content creator and a producer of award-winning short doc They Can't. So I Must. and writer-director of short films The Deliver, Or Forever Hold Your Peace, and episodes of Tiny and Tall

Now based in Toronto, Tope is in development on young teen mystery series Benjamin Ojo, an international co-production with Canadian Little Engine Moving Pictures (Hare of High Park, Tiny and Tall, Cutie Pugs) and South Korean SLL Studios (The Summer I Turned Pretty, Culinary Class Wars, Dr. Slump).

A dynamic presence on TikTok, Tope has built a following of over 2.1 million fans. Don’t miss this inspiring keynote with a multitalented writer-director whose voice is helping shape the future of Canadian media.

BIOGRAPHIES

 

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JUSTIN CATHCART

Justin is a leading Virtual Production Supervisor at Dark Slope, where he runs one of Canada’s largest LED volumes and delivers groundbreaking productions for Netflix, Prime Video, CBC, and more. A member of VES, SMPTE, and ACM SIGGRAPH, Justin bridges real-world and virtual filmmaking, shaping the future of storytelling. He also serves on Humber College’s Virtual Production Advisory Committee and collaborates with top studios and tech innovators worldwide.

 

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CAITLIN FISHER

Caitlin directs the Augmented Reality Lab and the Immersive Storytelling Lab at York University, pioneering new forms of digital literature and immersive media. A Fulbright Chair and former Canada Research Chair in Digital Culture, she has won top international awards for electronic literature and AR poetry. Fisher serves on the Boards of ELO and HASTAC, co-founded Futurestories Press, and leads a SSHRC-funded project exploring storytelling in augmented reality

  

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ISABELLE FAVREAU

Isabelle Favreau has been Director of Postproduction at difuze for over seven years, overseeing audio for film and television. A Canadian Screen Award nominee for sound editing on Mommy, she also worked on Tom at the Farm and Boy Erased. An innovator, she introduced remote recording during the pandemic, enabling full teams to connect while maintaining studio-level quality. She leads bilingual teams, and her expertise readily applies to new industry shifts, including the integration of artificial intelligence.

 

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STEVE COUTURE

Steve is a multi-award-winning entrepreneur in the kids entertainment business. He is now CEO/Ex. Producer at Epic Storywords, a Canadian kids content company developing and commercializing creations from around the world. Epic Storyworlds parents two Qc-based studios: Loomi Animation and Freeground – a dedicated ROBLOX experience studio. Previously, at Frima Studio, he has produced and led numerous major kids games and animated content in many successful virtual worlds generating more than 100 M active players and also produced linear content. He enjoys sharing his passion as a lecturer in business events and university classes.

 

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KIM WILSON

Kim is the Director of OneFish TwoFish Consulting, supporting content creators with focus testing, education, developmental expertise and cultural consultation. As Co-Director of Toronto Metropolitan University’s Children’s Media lab, Kim leads research on inclusion and diverse stroytelling. She also teaches Children’s Media and co-chaired the 2024 Child and Teen Consumption Conference and serves on the Board of Youth Empowering Parents. . She holds degrees in media and childhood studies

STEPHANIE WILSON CHAPIN

Stephanie leads strategic partnerships in the entertainment, sports and news verticals at YouTube in Canada. At YouTube, she works to build strategies that complement their overall business and position them for success in an increasingly complex streaming environment. She represents YouTube at industry events, speaking about the platforms’ evolution, its latest product innovations and best practices for building a thriving YouTube business. Prior to YouTube, she worked at Bell Media including CTV News, CTV, TSN and Crave, and at The Globe and Mail, Harlequin Enterprises and Sympatico/MSN

 

JULIAN BRYAN

Julian is a Strategic Partnerships Manager at YouTube, focused on growing creator and media companies’ reach and engagement on YouTube. Previously, he spent several years on the Google Ads team working with SMB advertisers and Fortune 500 businesses equipping them with strategies to drive sales and build their brands online. He received his MBA from The Wharton School at the University of Pennsylvania and also spent time at NBCUniversal working on the launch of Peacock

J.J. JOHNSON

Creative Force & Founding Partner, Sinking Ship Entertainment, J.J. is a multi-Emmy award–winning executive producer, director, and Emmy-nominated writer, with more than 15 series and over 500 episode credits to his name. He and Sinking Ship Entertainment are best known for globally successful children’s including Odd Squad , co-produced with PBS Kids. Deeply committed to inclusive storytelling, he has launched initiatives within Sinking Ship to elevate women directors and diverse writers, and regularly contributes to discourse in media, academia, and industry. He has been co-chair of the Canadian Youth Media Alliance (YMA) for many years.

TERENCE MBULAHENI

Terence is the Founder and CEO of VIEWED Inc., a digital media boutique specializing in YouTube strategy, content monetization, and IP growth. With over 15 years of experience in film, TV, and digital, he has led YouTube growth for major brands like PAW Patrol, Super Simple Songs, and Daniel Tiger. Terence helps studios and creators build audiences, optimize content, and unlock value across digital platforms.

 

PHIL MCCORDIC

Phil is President of Windy Isle Entertainment and a creator/showrunner with over 20 years of experience in front of and behind the camera. He created the hit series Mittens & Pants (CBC/SKY), now in its third season. His shows have reached over 300 million viewers worldwide. Phil is a two-time Gemini winner and has also received a YMA Award and three Canadian Screen Awards for his work in children’s television.

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DAVID ELMALEH

David is the founder of 787creative, a media agency specializing in growing brands organically with humour. From generating tens of millions of views for preschool series Mittens & Pants, to crafting viral moments for Air Bud Entertainment on Twitter, to reaching hundreds of millions of viewers for professional superfan Cameron Hughes, he strategically uses comedy, memes, and cultural storytelling to turn passive audiences into loyal communities — all without spending a single dollar..

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KEN FAIER

Ken is involved with Epic Story Media and Epic Story Interactive, which puts creators at the centre of compelling and engaging franchises for kids. He built the company into a world-renowned studio with original properties sold to over 150+ territories. Ken has executive produced hundreds of episodes of original properties. Prior to that, he was Vice President of Production and Distribution for the children’s division at Alliance Atlantis. Ken brings his deep experience to market in product launching..

 

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ATHENA GEORGAKLIS

Athena is an executive producer and consultant specializing in creative leadership, coproductions, and financing. Formerly Head of Development at Nelvana, she oversaw animated and live-action series with a 300+ person team, and as Director of Original Content at Teletoon, commissioned dozens of hit series. She now works with global partners on preschool projects and co-chairs the Youth Media Alliance, shaping the future of kids’ media.

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MONIKA ILLE

Monika Ille, CEO of APTN and member of the Abenaki First Nation, has over 35 years of experience in broadcasting. She began her career at Radio-Canada and the NFB, where she helped launch Indigenous filmmaker training. Since joining APTN in 2003, she has risen to lead the network. A McGill-HEC MBA graduate, Monika has earned numerous awards and is recognized as one of the most influential women in Canadian media and a champion of Indigenous storytelling.

 

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LANCE CARDINAL

Lance is a First Nation artist, designer, and television personality from the Bigstone Cree Nation. He has quickly become one of Alberta’s mist influential artists, creating large scale murals and Indigenous driven spaces. Within his journey in the arts, he has engaged in creative projects and media that bring nations together, raise awareness on Indigenous issues, and shine a positive light on the beauty of his people. Heading Soulflame Creative Services, he produced the award winning APTN and YouTube program “Indigenous Art Adventures”, bringing families together through art, culture and language.

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JULIAN BLACK ANTELOPE

An First Nation – Blackfoot - actor both nationally and internationally (Debris, The Flash, Hold the Dark, Tribal, Blackstone, Penny Dreadful, Condor),"JBA" brings a constantly growing body of work behind the camera writing and producing on several feature films, documentary’s and now his own television series with APTN where he is Executive Producer, Showrunner, Director, Writer & Star. JBA’s produced an impressive slate of award-winning feature films that have screened world-wide in high profile festivals and whose work continues to win nominations, accolades and win Industry relationships worldwide.

 

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NADIA MIKE

Nadia is with Umik Media. As an Inuit educator and children’s author from Iqaluit, Nunavut, she has a Bachelor of Education from the University of Regina. She published her first Inuktitut first-words board book in 2014, followed by picture books such as Leah’s Mustache Party (2016), Ukaliq and Kalla Go Fishing (2017), and The Muskox and the Caribou (2018). Passionate about children’s literature that reflects Inuit lives and culture, she also works in film as writer, director, and producer on projects like Ukaliq and Kalla Go Fishing and the TV series Anaana’s Tent .

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ADAM GARNET JONES

Adam is APTN’s Director of TV Content and Special Events / Senior Management. As a champion for Indigenous creators, he is Cree-Métis and Danish from Amiskwacîwâskahikan, the traditional name for Edmonton, Alta. With a degree in film production from Ryerson University, Adam has worked in the film industry for more than 15 years: directed Amplify, story edited Mohawk Girls, and wrote/ directed two award-winning feature films: Fire Song and Great Great Great. He is a former chair of the Ontario Film Review Board and a long-time board member of ImagineNATIVE.

 

 

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MARK EDWARDS

Mark Edwards is the founder and managing partner of Edwards Creative Law, a leading entertainment law firm with offices across Canada. He advises on live-action and animated film and TV, video games, and digital media. With nearly 30 years of experience, he supports Canadian producers and international clients in structuring, financing, and exploiting content while leveraging Canada’s favourable production incentives.

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LUCIE MEYNIAL

After earning a master’s degree from La Sorbonne in Paris, Lucie first managed audiovisual cooperation at the Consulate General of France in Jerusalem, then worked at the Doha Film Institute in Qatar, and later in Toronto, at Seville International. In 2019, she joined Telefilm Canada, focusing on project eligibility for funding. Today, she is Coproduction Analyst, as she evaluates and recommends projects from Canadian producers for recognition as audiovisual treaty coproductions by the Department of Canadian Heritage.

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MARIE-CLAUDE BEAUCHAMP

Marie-Claude has been a producer for 40 years. Founder of Carpediem Film & TV Inc., she created 400+ hours of kids’ content, 3 award-winning albums, 20 books and 2 exhibitions. Behind Snowtime!, Racetime and Butterfly Tale, her work is globally known. She also runs Blü Dog Média (music) and Pink Parrot Media, an international sales company for family films and series.

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GINETTE PETIT

With over thirty years in film production, Ginette Petit has produced acclaimed works such as And the Birds Rained Down, and many others. She led the Cinema program at L’inis for a decade, mentoring a new generation of creators while pursuing her own career as an artistic producer and screenwriter. Founder of OUTSIDERS Films, she has produced award-winning documentaries and accessible, human-centered films. She is producer and executive producer of Kid Koala’s Space Cadet, which premiered at the Berlinale and continues its global festival journey.

 

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MARIA KENNEDY

Maria is YMA Co-President  and owner/ co-founder of Little Engine Moving Pictures with partner Ben Mazzotta. Little Engine is a creator-driven company specializing in producing and distributing original award-winning live-action and animated kids and family series. Maria oversees business and sales, and has produced 6 original series, companion interactive content, commercials and branded media content. Little Engine has earned a reputation for creating progressive shows in the new content creator economy that get financed and travel the world

Commanditaire - Merci !

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Autres à venir...

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2026 Awards of Excellence Gala – à Montréal 
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Atténuer l'impact environnemental des événements

La YMA contribue à atténuer l'impact environnemental de toutes ses activités en adoptant des pratiques durables tout au long de l'événement. Cela comprend le choix de lieux ayant des politiques écologiques strictes, la réduction des documents imprimés en privilégiant les programmes numériques et l'encouragement des participants à utiliser des bouteilles d'eau et des tasses à café réutilisables. Proposer des menus à base de plantes et d'origine locale, réduire au minimum les plastiques à usage unique et assurer un tri et un recyclage efficaces des déchets sur place sont également des mesures importantes. Enfin, la YMA encourage les déplacements à faible empreinte carbone en favorisant les transports en commun, le covoiturage ou les options de participation virtuelle lorsque cela est possible, afin que la conférence reste à la fois percutante et respectueuse de l'environnement.

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Réseautage

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